The national tour of Buena Vista Social Club, the Tony-nominated and Grammy-winning Broadway musical, arrives at ASU Gammage in Tempe, Arizona, with performances scheduled for April 2027. One of the last designs by legendary architect Frank Lloyd Wright, ASU Gammage is itself a work of art — and pairing this architecturally stunning venue with one of the most visually and musically rich Broadway productions of the decade creates an evening of extraordinary artistic impact. The show earned ten Tony nominations in 2025, won a Special Tony Award for its live on-stage musicians, and captured a Grammy for Best Musical Theater Album at the 68th Annual Grammy Awards, establishing it as one of the most acclaimed new musicals in recent Broadway history.
ASU Gammage's distinctive circular design and sweeping desert-modernist lines reflect Frank Lloyd Wright's vision of architecture that harmonizes with its environment. The 3,000-seat auditorium — completed in 1964 as one of Wright's final commissions — has been the Phoenix metropolitan area's premier home for Broadway national tours for decades. The theater's wide, gently curving seating layout ensures excellent sightlines from virtually every seat, and its acoustics are remarkably warm for a venue of its size. For the Buena Vista Social Club musical, where a full band performs live Afro-Cuban son, bolero, mambo, and cha-cha-chá on stage throughout every show, Gammage's acoustic properties will bring the music to life with a richness and presence that rewards careful listening.
The story spans five decades of Cuban history, following young musicians who forged a legendary sound in 1950s Havana only to see their careers shattered by revolution. Four decades later, producer Ry Cooder and Cuban musicologist Juan de Marcos González brought together these forgotten artists at EGREM Studios in Havana for a recording session that produced one of the best-selling world music albums of all time. The album sold over eight million copies, won a Grammy, and inspired Wim Wenders' celebrated 1999 documentary. Marco Ramirez's book for the musical dramatizes this remarkable journey, with direction by Saheem Ali and choreography by Patricia Delgado and Justin Peck that transforms every scene into a vibrant celebration of Cuban music and dance.
Tempe and the greater Phoenix area are home to a growing and diverse Latinx community, and the Buena Vista Social Club's celebration of Afro-Cuban culture connects meaningfully to the broader Latin American musical traditions that enrich the Valley's cultural life. The spring 2027 engagement also places the show during one of the most pleasant times to visit the Sonoran Desert, with warm evenings perfect for a pre-show stroll around ASU's beautiful campus or nearby Mill Avenue's restaurants and shops.
Secure your seats through BigStub, a trusted third-party ticket resale marketplace with over 20 years of experience, verified sellers, no hidden fees, and a buyer guarantee backed by dedicated customer service. ASU Gammage is located at 1200 South Forest Avenue in Tempe, with ample free and paid parking available on the ASU campus and nearby surface lots.
There is a fitting poetry in bringing the Buena Vista Social Club musical to ASU Gammage. Both the venue and the production represent artistic visions that transcended their original contexts to reach audiences worldwide. Frank Lloyd Wright designed Gammage as a celebration of organic architecture — a building that emerges from and responds to its desert surroundings with sweeping curves, warm terracotta tones, and an interior that draws the eye outward toward the Arizona sky. The Buena Vista Social Club musical, in turn, celebrates artists whose organic, deeply rooted musical traditions survived decades of suppression to find a global audience when the world was finally ready to listen. Watching this production inside Wright's final public commission creates a dialogue between two forms of artistic genius that enriches both.
The story of the Buena Vista Social Club begins in 1950s Havana, a city overflowing with musical creativity. Young Cuban musicians drew on African rhythmic traditions, Spanish melodic forms, American jazz harmonies, and Caribbean dance rhythms to forge entirely new genres — son, bolero, mambo, cha-cha-chá, and guaguancó among them. These sounds poured out of the social clubs, cabarets, and neighborhood bars that dotted Havana's streets, creating an atmosphere of cultural vitality that attracted visitors and musicians from around the world. When the Cuban Revolution disrupted this ecosystem in 1959, the musicians who had created these sounds found their careers abruptly ended, their venues shuttered, and their art marginalized by a government with different priorities.
The reunion that forms the musical's emotional climax took place in 1996, when producer Ry Cooder and musicologist Juan de Marcos González brought together a group of elderly Cuban musicians at Havana's EGREM Studios. Artists who had spent decades in near-total obscurity — pianist Rubén González, vocalist Ibrahim Ferrer, the legendary Omara Portuondo — performed with a warmth and musicality that suggested their art had only deepened during the years of silence. The resulting album sold over eight million copies, won a Grammy, and inspired Wim Wenders' celebrated documentary. The Broadway production at the Gerald Schoenfeld Theatre transformed this story into a theatrical experience that earned ten Tony nominations, a Special Tony for the live musicians, and a Grammy for the cast recording.
ASU Gammage's 3,000-seat auditorium is one of the largest Broadway touring houses in the Southwest, yet its circular design and gently raked seating create a sense of intimacy that belies its size. Wright's acoustic design channels sound naturally through the space, and the wide stage provides ample room for the production's ambitious set and choreography. Director Saheem Ali's staging, which transforms the theater into a living Havana across five decades, benefits from Gammage's generous sightlines — audiences in every section will see the full scope of the sets, the dancers, and the on-stage band whose live music is the heartbeat of the show.
The April 2027 engagement arrives during Tempe's spring season, one of the most comfortable and popular times to visit the Valley of the Sun. Mill Avenue, the lively commercial strip adjacent to ASU's campus, offers restaurants, breweries, and shops within a short walk of the theater. Tempe Town Lake, the urban reservoir just north of campus, provides a scenic setting for pre-show walks. And for visitors from across the Phoenix metropolitan area — including Scottsdale, Mesa, Chandler, and Gilbert — ASU Gammage's central location and easy freeway access make it a convenient destination from anywhere in the Valley.
The choreography deserves special attention at Gammage, where the wide stage and excellent sightlines allow audiences to appreciate every detail of Patricia Delgado and Justin Peck's movement vocabulary. Delgado, a former principal dancer with Miami City Ballet, brings intimate knowledge of Cuban dance traditions — the swaying hips of son, the precise footwork of mambo, the joyful abandon of carnival guaguancó — while Peck adds the theatrical invention and large-scale ensemble work that Broadway demands. Together they have created choreography that critics singled out as one of the production's most exhilarating elements, and Gammage's panoramic stage ensures that nothing is lost even in the farthest seats. The creative team also includes consultant David Yazbek and creative consultants Juan de Marcos González and Nick Gold, whose combined expertise guarantees the musical and cultural authenticity that makes this production so special. Arizona audiences who appreciate craft and commitment to artistic truth will find much to admire in the care these artists have taken to honor the Buena Vista Social Club legacy.
Tickets may be available through the ASU Gammage box office and authorized primary sellers. The official tour website lists ticketing partners for each engagement. Verified resale tickets are available on BigStub, a trusted marketplace with no hidden fees, a buyer guarantee, and over 20 years of experience.
Performances are scheduled for April 2027 with eight shows across the engagement, including matinee and evening options. Visit the ASU Gammage website for confirmed dates and curtain times as the engagement approaches.
ASU Gammage is located at 1200 South Forest Avenue on the Arizona State University campus in Tempe. Designed by Frank Lloyd Wright, the 3,000-seat auditorium features distinctive circular architecture, warm acoustics, and excellent sightlines. Free and paid parking is available on the ASU campus, and the venue is accessible from US-60 and Interstate 10 via the Loop 101 and 202 freeways.
When purchased through a verified platform like BigStub, absolutely. BigStub verifies every seller, guarantees every transaction, and has earned the highest Trustpilot rating in the industry with more than two decades of service.
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A Broadway musical dramatizing the true story of Cuban musicians who forged a legendary sound in 1950s Havana, were scattered by revolution, and reunited forty years later for a recording that became a worldwide sensation. Features live Afro-Cuban music, dance, and a sweeping multigenerational narrative.
ASU Gammage was designed by Frank Lloyd Wright, one of the most celebrated architects in American history. Completed in 1964, it was one of Wright's final public commissions and features his signature organic architectural style with sweeping circular forms and desert-inspired materials.
Performances are scheduled for April 2027 with eight shows including matinee and evening options. Check the ASU Gammage website for confirmed dates and curtain times.
The production earned ten Tony nominations in 2025 and won a Special Tony Award for its live musicians. The cast recording won a Grammy for Best Musical Theater Album at the 68th Annual Grammy Awards.
Son, bolero, mambo, cha-cha-cha, and guaguanco — all traditional Cuban genres — are performed live by an on-stage band throughout the production. This concert-theater approach earned the musicians a Special Tony Award.
Book by Marco Ramirez, direction by Saheem Ali, choreography by Patricia Delgado and Justin Peck. Creative consultants include David Yazbek, Juan de Marcos Gonzalez, and Nick Gold.
Yes. Free and paid parking is available on the ASU campus near the venue. The Apache Boulevard parking structure and nearby surface lots serve Gammage events. Rideshare drop-off is also available near the main entrance.
Mill Avenue, adjacent to the ASU campus, offers a wide variety of restaurants, cafes, and bars within walking distance. The lively college-town atmosphere provides options ranging from casual dining to upscale restaurants, making it easy to enjoy dinner before or after the show.
Recorded in 1996 at EGREM Studios in Havana by producer Ry Cooder and musicologist Juan de Marcos Gonzalez, the album featured elderly Cuban musicians who had been forgotten for decades. It sold over eight million copies, won a Grammy, and inspired a documentary by Wim Wenders.
ASU Gammage seats approximately 3,000 guests, making it one of the largest Broadway touring venues in the Southwest. Despite its size, the circular design and gently raked seating create an intimate atmosphere with excellent sightlines from every section.
The production is suitable for a wide range of audiences, though it addresses political upheaval and adult relationships. Young audience members who enjoy music and dance will find the live performances captivating. Check the ASU Gammage website for any specific age recommendations.
Yes. The national tour also visits the Smith Center in Las Vegas and the San Diego Civic Theatre. ASU Gammage's April 2027 engagement gives Phoenix-area audiences their own opportunity to experience this landmark production.
See Buena Vista Social Club live at ASU Gammage!